Description
An antique Japanese Noh mask of Zo-Onna, it is believed that the name "Zo-onna" was named by it's creator Zo-ami. Unlike Ko-omote or Waka-onna, the mask does not display joy or cuteness. Instead, it reflects calmness, purity, and peaceful images of deities of ancient Japan.
Noh masks are carved from Japanese cypress (hinoki) using traditional chisels and templates and finished with the crushed shell powder (gofun), animal glue (nikawa), and mineral pigments (iwa-enogu), the same materials used in traditional Japanese painting (nihonga). It takes between eight months to a year to complete the process of sculpting and painting a noh mask. While the noh masks are generally copies (utsushi) of traditional works, the carver always strives to discover and re-create the essence of the original mask. This requires not only technical skill but an understand and appreciation of noh itself. Through subtle nuances of carving and coloring discovered and developed through years of training and experience, the power of the masks is brought to life. A good mask is a medium for projecting emotion to an audience over a considerable physical distance. The proper modeling of the back of the mask facilitates the projection of the voice. Ultimately, a noh mask’s true beauty and character are realized when an actor wearing it on stage successfully unites intention, Chant, and movement. When these conditions are fulfilled, a state of yūgen – a harmony realized in the of the present moment – is born. (https://internationalnohinstitute.com/study-noh-with-the-ini/noh-mask-carving/)
Dimensions:
21cm wide
13cm deep
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